Designing Content for Fans

As a 4fun project, I created a zine that summarized Måns’ achievements and accomplishments over the course of 2021. Read below!


 Overview

 

Måns Zelmerlöw is a Swedish pop singer, songwriter, television presenter, and philanthropist who is most famous for winning the 2015 edition for Sweden of the Eurovision Song Contest in Vienna, Austria with his song, “Heroes”.

The Eurovision Song Contest draws in close to 200 million viewers each year from across Europe, handily beating large American events such as the Super Bowl. It is one of the longest-running television programmes in the world, having started broadcasting annual competition starting in 1956.

For Americans still not convinced of its international appeal, it is also has been a pretty big jumping point for European singers looking to branch out of Europe, most notably ABBA, Celine Dion, and more recently, Duncan Laurence.


For any people who want to learn more about what the Eurovision Song Contest is in a more musical style, please click here.


The purpose of this project is to create content that resonates with fans.

This project features elementary usage of Adobe InDesign, PhotoShop, and cognitive psychology principles.

Process

 

As a traditionally "non-creative” person, I take great inspiration from the makers that make the world around us real. Since my field of work informs makers, I really wanted to do something from the perspective of a maker so that way I can see more of the process that they use on a day-to-day basis.

Research

To get started, I first needed to figure out what was already out there in terms of fan-made content for people in the music industry.

In general, I found that labels tended to promote their artists through:

  1. Magazine articles, both print and digital (becoming less relevant but meh)

  2. Press releases (not as much traction for fans, but useful for journalists)

  3. Photobooks (very common in East Asia esp Japan, less common in the West)

  4. Social Media (big one, and crucial)

On the flipside, labels can also utilize earned media to promote in places such as:

  1. Fanzines

  2. Fan edits/cams (very popular for Twitter stans)

  3. Art

  4. Social Media (everyone loves some social media)

I also wanted to consider a target audience. For the most part, Måns is more well-known in Europe, particularly in the Nordics and in Poland, it makes the most logical sense to target writing towards a European audience. With the information I’ve gathered about the industry, I decided to establish my key values to create a meaningful product.

The final task was to select the medium of expression. Like most other Eurovision artists that won in the last decade, Måns’s fan content is centred around Instagram content (usually photos and stories), purpose-built websites, and art. There is an existing fanzine for Måns which is pretty popular, but I wanted to take my own stab at it.


Key Values

  1. Be as authentic to a largely European audience as possible.

    • Avoid North American and antipodean varieties of English 🤬

    • Embrace British and “Euro English” 😀

  2. Highlight Måns work and sponsorships that were emphasized throughout the year, especially as it relates to Melodifestivalen + Eurovision.

  3. Create something Månsters really like.


Creating

I used a bunch of spreads from professional magazines such as GQ to establish a framework for how I would organize content on a page. These references were also critical to informing my understanding of how people read content that is presented on larger spreads (I displayed everything on an A4 size canvas)

From there, I put in text, images, and graphics where I felt appropriate using Gestalt principles such as common region and continuity to link related content to each other.

After playing around with different layouts and getting things where I wanted to be from a visual standpoint, I added some elements that I felt would be on-brand. By stylizing page numbers and text with fonts and little flairs, I hoped to make it seem more resonant as a document.

Reflection

 

Graphic designers could probably easily tell that I am not one. That being said, design and illustration is something that I admire deeply. This is the first time I’ve ever used InDesign, and I was not part of something like Yearbook Club in high school. I found my first experience with InDesign to be REALLY fun, and I learned a lot about using another part of the Adobe Creator Suite.


There were two problems I ran into while creating this fanzine.

  1. I’m not really sure what the fans really like. I know there are Måns fan pages that circle around on the web, but it’s very hard to get a clear attitude into what Måns represents to them. Attempts to set up focus groups and establish 1-on-1 interviews failed, especially as I felt a little socially awkward about blank-canvassing people on Instagram, particularly after my first touchpoint with a French fan went awry, and I got ghosted by a Polish one. ✌

    • At the end of the day, I asked a Dutch friend who studied visual communications about the concept, and she said she liked it. So I see this as an absolute win! (Dank je wel!)

  2. I felt a little weird going through press releases and news articles for information about somebody who I only know in the context of a “musician”. Is this what superfans feel like? I have no idea.

Beyond the problems outlined above, perhaps the most frustrating part of this experience was having to have the Swedish vowels not present in English on a digital sticky-note to copy and paste back and forth. No Swedish keyboard, my crying face => ಥ_ಥ


This was also incredibly time-consuming to do, and this has increased my appreciation for visual and graphic designers that make our modern, digital world more beautiful.

Ultimately, while there are things I wish I could have visualized differently, I think that for a first stab at graphic and visual design - particularly in an amateur context - I think this is a pretty successful start. If I were to revisit this field in the future, I would not limit myself to a deadline and work on this in a team setting to better pull together what superfans really see in an artist beyond my own perspective (‘Måns seems like a pretty nice dude!’ and ‘I put his album on my Swedish pop playlist‘). I would also pursue a longer timeframe to get things together, and really work on this in a more collaborative project.

Mock-Ups